Although moving the story along at a nice-pace is the ultimate intention of the thriller, symbolism can be found such as the shot of Douglas leaving Close's apartment the morning after the affair, adding to the basic, almost-generic message of the film: don't cheat. The film is aided by a piercing score the scorches the suspense volumes louder than it had a right to be. The film editing is crisp, pinpointed directly at Lyne's vision of the suspense. He puts the characters, the story, and most importantly, the suspense ahead of the raunchy sex scenes. Lyne also makes the intelligent decision to let the sex scenes happen, but not to let them define the film. Lyne takes his time and builds real suspense that often results in a misleading outburst of intensity.
The telephone is what we're focusing on, but Lyne keeps the audience's engagement with the telephone on whether Archer's character will answer it and what Close's might say to her. A particularly wicked moment of direction involves a telephone ringing. Lyne layers fear on top of characters, not the plot necessarily, but the fictitious characters themselves. The killer aspect of Fatal Attraction is the directing from Adrian Lyne. Douglas is the trio-member who doesn't stick out as often, but when his moment finally comes for the character to shine, you realize he was shining the entire time, we just didn't notice. She does well in that scene I anticipated, but I think she's exceptional from start to finish. Knowing she got an Academy Award nomination prior to watching the film, I assumed she'd get a scene to cry and throw a fit and that's what scored the nomination. My favorite performance, maybe even over Close's, was Anne Archer. When the script calls for Close to be overt, man, does she bring it, though. Close embodies Alex, making the loneliness enough for the viewer to link themselves to, but not too much to overwhelm the viewer. She's a lonely woman, she's really lonely, and that's the cause of all her malicious actions that follow. I felt an enormous amount of empathy towards Alex. But I am actually taking the actor's side this time.
That's typical of an actor playing the antagonist in a film because actors have to justify their characters as human beings to be able to portray them successfully. Glenn Close has said that she doesn't view her character, Alex as the villain in the story.
The bottom line is most haven't gotten much better than this. Same plot formula, same twists, different style, different noise levels. It's mystifying to think of the ways the world of thrillers has changed since the origin of the genre, but in other way stayed exactly the same. In fact, Fatal Attraction, was the first of its kind that spawned countless "romantic" thrillers since. Don't get me wrong, it's a great movie, probably the best thriller from the '80s, but being so immersed in the hype did took away the fun that everyone gossiped about opening weekend in 1987. In a perfect world that may be possible, but in reality I am forced to be friendly from a distance. There were no surprises.I can imagine being in the '80s, sitting in the theaters expecting a sweeping love story and being overcome with surprise and adrenaline rush when I realized its true nature.
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I saw clips of it here and there (on YouTube, TV specials), I saw the semi-remake/rip-off starring Beyonce, Obsessed, and I am aware of the huge reputation surrounding the film. Prior to viewing Fatal Attraction I was familiar with the film.